Secondarily, I'm posting a sketch I did last week, with the intention of demonstrating that I've gotten a little better in a few days of practice. I'll keep practicing, and I won't quit my day job, particularly because I don't have one.
I was born and raised in and around New York City, and I lived in the tri-state area for over thirty years. But I met and fell for a shiksa, and my exile began in earnest in March of 2006. Now we live in Minneapolis, Minnesota, with our son and daughter.

One:
NAME is walking to school, very slowly because it’s early. His friend meets him and they walk on. Both are slow and tired. It’s winter. Their hoods are on, their eyes are sunken and dark. Everyone’s are, after all. In homeroom, the principal, who sounds very tired, He announces the typical mumbo jumbo, and then says the head lunch lady, to brighten up our day, has added hot chocolate to the menu, free of charge!
Notice no names have been chosen yet. Also notice a little bit of set up has already happened, specifically that these students appear to be the walking dead, and that there's free cocoa. (Doesn't sound like much, but when you consider this is the opening chapter of a middle-school zombie chapter book, it begins to add up.)
At some point during this pantsery outlining method, I'll actually realize how things need to end, what people's names will be, and other important details like that. Then I can go back and add things. Since it's such a succinct form, that isn't the headache it would be if I simply pantsed it (more on that in my next process section). For example, though I don't save outline drafts, so I can't prove this, I suspect the line about free cocoa was added when I was already halfway done with the outline, since it would not be like me to predict the Chekhov gun I'd need so handily.
Of course if you know me at all, you know that was only the beginning. There was also the requisite trip -- okay, two trips -- to Eddie's. But friends, this visit to NY set a new standard. My accomplices and I began dinner at Motorino, the new-ish VPN joint housed in the space that once belonged to Una Pizza Napoletana (probably where I had the best VPN pie of my life). It was great. Better than Punch? Hard to say -- at least for the margherita pie. But the special we got -- a white pie with brussell sprouts and pancetta -- was amazing. Probably the shining star of the evening.
After ordering, and while I ate, and after I finished, I finally started The Freak Observer. It is a difficult book to put down. Loa really pulls you along. There is great pain.

Yeah, you dig it. I covetethed them, and now I have them. I will be easy to spot at BEA . . . especially if you're a mouse or squirrel.♥ twiinkle :}
Tina Laurel Lee
Jonathan Arnston
Elegant Snobbery
Heather Kelly
only got a small handful personally, and the rest are jetting off to review types the country over. So that's exciting and frightening. But the point is, as far as what's relevant here, is that one copy of my ARC is now flying off to Heidi R. Kling, author of the gorgeous SEA, and thence to Dia Reeves, and Kristin Walker, and Jennifer Hubbard . . . for their autographs! And that means that finally -- FINALLY -- the big ARC giveaway can be decided!Thanks, Kristin. Everyone drop by her website to learn more about A Match Made in High School, which is out now and ready to buy!Fish-out-of-water? Man, that is totally applicable to A MATCH MADE IN HIGH SCHOOL. It has lots of fishes out of lots of . . . waters. The biggest fish is my main character, Fiona. She’s somewhat of a loner and is definitely not into fashion, popularity, makeup, slobbering over every jock that walks by, and anything else that might occupy the mind of your average teenage girl. So just being in high school feels odd enough to her sometimes. But that’s only the beginning; later on in the book it gets worse. Fiona gets roped into joining the cheerleading squad. And it is so much fun to laugh at her!
Seriously, fish-out-of-water stories are either deeply touching or riotously hysterical. And although I like to be touched deeply just as much as the next gal, when given the choice with the characters in my book, I always went for the joke. So that’s where I steered Fiona, poor thing. But she survived. And I think that’s one of the most salient points of fish-out-of-water stories; they inspire us to survive. They make us explore the limits of our own comfort and wonder if we could endure swimming in that kind of pond, whether it’s filled with snapping turtles or just cheerleaders.
The short version of the story: that date is our wedding date, and that quilt was initially constructed and not finished by Beth as a first-anniversary gift for me. However, things got complicated in our life (I'm looking at you, Samuel!) and the quilt went unfinished for a little while. Totally in secret, Beth managed to get the thing finished while I was in NYC for SCBWI, and voila! Completed anniversary quilt as a Valentine's Day gift! Woo! It's hell of comfy, too.

BREZENOFF, Steve. The Painting That Wasn’t There. ISBN 978-1-4342-1608-3. LC 2009002572.
––––. The Zoo with the Empty Cage. ISBN 978-1-4342-1610-6. LC 2009002574.
ea vol: illus. by C. B. Canga. 88p. (Field Trip Mysteries Series). glossary. CIP. Stone Arch. 2009. PLB $23.99.
Gr 2-5–In The Painting That Wasn’t There, a class visits a temporary art exhibit. The students have learned about illegal copies of masterpieces, so when a celebrated painting is determined to be a forgery, James Shoo and his friends set out to solve the crime. In The Zoo with the Empty Cage, EGG (Edward G. Garrison) is a down-to-earth boy whose science club has an outing to a zoo. The endangered animal that the kids are most looking forward to seeing suddenly disappears. The book becomes a real page-turner as the students look for suspects that even include their teacher. The occasional colorful, full-page illustrations in these engaging mysteries are inviting. These books are appropriate for reluctant readers as well as those just beginning chapter books. Concluding pages offer springboards for teachers to encourage their students to write mysteries as well as to learn investigation techniques. Good purchases for libraries that need mysteries with contemporary settings.–Elaine Charnow, Deasy/Landing Elementary Schools, Glen Cove, NY
I bundle up Moira and KateRead the whole thing and listen to the song here.
And take them to ballet which is great
And I sit and read a book in the hall
And mothers do not talk to me at all.They sit down at their end and I at mine
And they glance my way from time to time
And those little glances really hurt:
I can see that they are thinking: per-vert.
Meanwhile, back to our scheduled programming. Following is a guest post written by the amazing and talented Jennifer Hubbard, author of THE SECRET YEAR, which I got to read an ARC of and can comfortably say it's great: beautiful writing, and truly does evoke this Outsiders meets Romeo & Juliet thing we keep hearing. It's out now; here's a link to buy it! And here's Jenn:
The topic of “fish out of water” is interesting because there are so many characters in The Secret Year who use labels on themselves and each other, who say that certain people only “belong” in one part of town. And yet, individual characters keep breaking out of those boxes as people do in real life. The fish keep flying out of the water.
In The Secret Year, the dividing line is based on socioeconomic classes, but in other places it could play out along racial, ethnic, or religious differences. The main characters—Colt and Julia—actually use their respective labels to enhance their own secret relationship. Defying expectations, stomping all over the boundary that is supposed to divide them, excites them. They even play up that dividing line, joking about it, needling each other over it, exaggerating its importance. And yet it affects them more deeply in ways they don’t understand and don’t fully acknowledge. Several times, they find the ground slipping from beneath them when they’re suddenly confronted with what they believe about themselves and each other. Colt has to face a lot of his own self-deceptions: about his emotional involvement with Julia, about how secrecy affects relationships, and about the ways he is and isn’t a fish out of water.