Summing Up

Tuesday, February 15, 2011

I'm terrible at the so-called elevator pitch. I know it sounds grandiose and obnoxious, but the idea of summing up a novel--something I lived and breathed for months and months, even years and years, such that the characters were like real people I knew, and often spotted in public--just doesn't come naturally for me. The point is, if you ask me what BROOKLYN, BURNING is about, I will talk in circles, say too much about certain aspects, not enough about others, and eventually have to take a break so you can go add change to your parking meter.

So it's quite a nice surprise that the Library of Congress has written what I consider an excellent summary of BROOKLYN, BURNING, and here it is:

Sixteen-year-old Kid, who lives on the streets of Brooklyn, loves Felix, a guitarist and junkie who disappears, leaving Kid the prime suspect in an arson investigation, but a year later Scout arrives, giving Kid a second chance to be in a band and find true love.

Thanks, federal librarians!

Comments (4)

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I can't do this either. Like at all. The last time someone asked me what my book was about, I said, "I have no effing idea, but will you please read it and tell me." And I was totally serious.
And to think, some people write their synopses BEFORE they write the book. Those are people who are sick in the head. Or perhaps they are the normal ones...
I've tried it. It works for me, for short chapter books that don't rely too heavily on character development and setting. But since those are my two favorite aspects of novel writing, it just doesn't work for longer works. The real problem, though, is finding a good one-sentence synopsis. I think even the real planners have trouble with that. I hope, anyway, the jerks.
I would think they do. Some of the ones I read on the NYT are not enticing at all, i.e. A girl fights for survival on live TV - The Hunger Games.

I am sure it's a good practice for novelists, but it sure is frustrating.

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